Thua Thien-Hue approves Cuu Dinh’s documents to seek UNESCO recognition
Nomination documents seeking recognition by UNESCO for “Cuu Dinh”, or Nine Dynastic Urns, have received approval from the science council of Thua Thien-Hue and will soon be sent to the Ministry of Culture, Sports and Tourism for final review, according to the Hue Monuments Conservation Centre.
"Cuu Dinh”, or Nine Dynastic Urns, is seeking UNESCO recognition as the world’s documentary heritage under the Memory of the World Programme. (Photo: VNA)
Hanoi (VNA) – Nomination documents seekingrecognition by UNESCO for “Cuu Dinh”, or Nine Dynastic Urns, have receivedapproval from the science council of Thua Thien-Hue and will soon be sent tothe Ministry of Culture, Sports and Tourism for final review, according to the HueMonuments Conservation Centre.
The set of bronze artifacts is seeking UNESCO recognitionas the world’s documentary heritage under the Memory of the World Programme.
The intact urns are horizontally placed at the yard ofthe The To Mieu (To Mieu Temple) in the Hue Imperial Citadel, a place toworship the kings of the Nguyen Dynasty – the last feudal regime of Vietnamwhich ruled the country from 1802 to 1945.
All cast in bronze, they symbolise the unity and thebeauty of the country as well as sustainable existence of the Nguyen Dynasty.
King Minh Mang ordered the casting of the urns in late1835 and they were completed in early 1837.
The highest urn is 2.5 meters high versus the shortest at2.3 meters high. Each one, weighing up to 2,600 kg, has a name symbolising aking of the Nguyen Dynasty. The central one is dedicated to King Gia Long.
The urns can also be considered a “geographicencyclopedia” of Vietnam in the 19th century with 162 carved patternsexquisitely embossed on their surface depicting popular landscapes, like rivers,mountains; and daily activities across the country, including 90 images oftypical plants and animals.
These create a great combination between carving andbronze casting. Until now, all the nine urns are still in their originalposition and remain intact.
Comparative cultural studies in Japan, China, and theRepublic of Korea showed that the set of tripod urns currently displayed in thecitadel of Hue is the only existing one of its type.
It was recognised as a national treasure in 2012, and isconsidered the most valuable bronze works in Vietnam./.
The Nine Dynastic Urns, built in late 1835 and completed in early 1837, was recognised as a national treasure in 2012, and considered the most valuable bronze works in Vietnam.
This is the first time since the adoption of the Convention that a country has served two consecutive terms on the Committee. The outcome shows the trust and recognition that member states have given Vietnam for its efforts and achievements in carrying out and promoting the Convention, as well as for its active role, strong standing, and growing credibility at UNESCO.
Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
Vietnam’s cinematic appeal lies in its diverse settings, from terraced mountains and limestone karsts to bustling markets and ancient towns. Its mix of ethnic vibes, buzzing street life, and old traditions gives directors a goldmine for storytelling.
The Vietnamese team will gather on June 26 in Ba Ria-Vung Tau, where they will train until July 14 before departing for Indonesia for the ASEAN U23 Championship 2025, which runs from July 15 to 29. Vietnam will face Laos on July 19 and Cambodia on July 22 in the group stage.
The exhibition showcases more than 100 valuable documents and artifacts, divided into two main parts: “Journalist Nguyen Ai Quoc – Ho Chi Minh” and “President Ho Chi Minh – Founder and Mentor of Vietnamese Revolutionary Press.” This is an opportunity to recall the late leader’s journalism journey and affirm his exceptional role in founding and guiding the revolutionary press in Vietnam.
For the first time, the World DanceSport Federation (WDSF) has granted Vietnam hosting rights for the two championships, including the Asian women’s solo category, which debuts this year as an officially recognised event.
Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
For the first time, Vietnamese audiences will have the opportunity to experience the ballet masterpiece "Don Quixote" in its original version by renowned choreographer Marius Petipa.
The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
Creative cultural festivals are fast emerging as a new catalyst for tourism development in Vietnam, as localities increasingly invest in these vibrant events on a more systematic and larger scale.
This marks the first time Vietnam has hosted a continental-level Muay event which will feature competitions across 28 weight categories in combat and eight performance categories.
Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.
These are impressive achievements, not only showing the efforts and prowess of Vietnamese paddlers but also serving as proof of the sports sector’s strategic and systematic investment.
The cultural event in Canberra not only fostered cultural exchanges between Vietnam and Australia but also contributed to promoting Vietnam’s image internationally