Some of the Nguyen Dynasty costumes that are on display at the ongoing Vang Son Nhung Gam (Golden Imperial Costumes) exhibition at the Museum of Vietnamese History in HCM City (Source: VNA)
HCMCity (VNA) – A collection of Nguyen Dynasty (1802 – 1945) royalcostumes is on display at the Museum of Vietnamese History in HCM City.
The exhibition, Vang Son Nhung Gam (Golden Imperial Costumes),showcases 70 items, including costumes, jewelry, accessories, and dailyutensils that illustrate the life of the royal and court families.
Exhibit highlights include costumes of the King, Queen, Prince and Princess.Among these is one set of garments belonging to King Dong Khanh, who reignedfrom 1885-1989.
All of the costumes are embroidered with symbols like dragons and phoenixes.The influences of the Three Teachings in Vietnam: Confucianism, Buddhism, andTaoism, can be seen.
Costumes and bonnets of mandarins assigned to civil and military positions, aswell as imperial consorts, brooches, bracelets, gold and silver rings withgemstones, boxes and trunks of different sizes and materials can also be seen.
The items belong to the museum, the Southern Women’s Museum in HCM City, and collectorNguyen Van Hoa.
NguyenThi Tham, director of the Southern Women’s Museum, which owns most of costumesin the exhibition, said: “Costumes play a significant role in the life ofhuman beings and reflects social development. In Vietnam, dress codes for theroyal and court officials represented their position and power in society.
“Through this exhibition, we want to show visitors the cultural and socialmeanings of these costumes of the Nguyen Dynasty, and to highlight thecraftsmanship of those who created the wonderful objects,” she added.
The exhibition is open at 2 Nguyen Binh Khiem Street in District 1 until March.-VNA
There is no trace of the paintings that vanished three years ago, but Nguyen Van Nhan's works can be seen in the nation's first book on ceremonial costumes of the Nguyen Dynasty released last week.
King Minh Mang’s various administrative and royal documents under the Nguyen Dynasty (1802-1945) are on display at an exhibition that opened in Hanoi on November 22.
More than 60 precious artifacts of the Nguyen dynasty handed over to the interim government after the abdication of King Bao Dai in August 1945 are on display at the Hue Royal Antiques Museum.
The programme featured a range of activities, including group practice sessions of the Common Yoga Protocol (CYP), Vietnamese–Indian cultural performances, a commemorative flag handover ceremony for clubs, and a beach clean-up to help protect the marine environment.
This year’s tournament has gathered over 300 coaches, athletes, and referees from 18 countries and territories, competing in 28 combat weight categories and eight performance categories. Vietnam’s team has 50 athletes, including six from Thai Nguyen province.
It is the first time that the country is to hold a G1-level tournament which is expected to lure more than 100 athletes of 15 countries and regions at Go Vap Gymnasium.
Nguyen Trong Nha Uyen has made history for Vietnam’s dancesport by clinching a bronze medal in the solo Latin category at the WDSF World Championship 2025 in Germany.
The ambassador noted that among the 300,000 Vietnamese residing in the RoK, around 3,000 are living in Pyeongtaek and contributing actively to the local economy. Ho expressed his hope that the local authorities will continue support the overseas Vietnamese community in the city.
This is the first time since the adoption of the Convention that a country has served two consecutive terms on the Committee. The outcome shows the trust and recognition that member states have given Vietnam for its efforts and achievements in carrying out and promoting the Convention, as well as for its active role, strong standing, and growing credibility at UNESCO.
Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
Vietnam’s cinematic appeal lies in its diverse settings, from terraced mountains and limestone karsts to bustling markets and ancient towns. Its mix of ethnic vibes, buzzing street life, and old traditions gives directors a goldmine for storytelling.
The Vietnamese team will gather on June 26 in Ba Ria-Vung Tau, where they will train until July 14 before departing for Indonesia for the ASEAN U23 Championship 2025, which runs from July 15 to 29. Vietnam will face Laos on July 19 and Cambodia on July 22 in the group stage.
The exhibition showcases more than 100 valuable documents and artifacts, divided into two main parts: “Journalist Nguyen Ai Quoc – Ho Chi Minh” and “President Ho Chi Minh – Founder and Mentor of Vietnamese Revolutionary Press.” This is an opportunity to recall the late leader’s journalism journey and affirm his exceptional role in founding and guiding the revolutionary press in Vietnam.
For the first time, the World DanceSport Federation (WDSF) has granted Vietnam hosting rights for the two championships, including the Asian women’s solo category, which debuts this year as an officially recognised event.
Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
For the first time, Vietnamese audiences will have the opportunity to experience the ballet masterpiece "Don Quixote" in its original version by renowned choreographer Marius Petipa.
The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.