The northern province of Phu Tho held rituals on April 2 (the sixth day of the third lunar month) to commemorate the death anniversary of the nation’s legendary Great Father Lac Long Quan and pay incense tribute to Great Mother Au Co.
Many visitors flock to Hung Temple historical relic site to commemorate the nation's Great Father (Photo: VNA)
Phu Tho (VNA) – The northern provinceof Phu Tho held rituals on April 2 (the sixth day of the third lunar month) tocommemorate the death anniversary of the nation’s legendary Great Father LacLong Quan and pay incense tribute to Great Mother Au Co.
Local leaders and people prayed for the country’speace, solidarity, and firm protection of national territorial integrity andsovereignty over seas, islands, and border areas, and socio-economicdevelopment.
Following the solemn rites at the Hung Templehistorical relic site, numerous sport and culture activities were held, such as“hat xoan” (xoan singing), men’s volleyball, chess, and wrestling competitions,crossbow shooting, stick pulling, a photo exhibition on local tourism, and aspecial art performance.
Legend has it that Lac Long Quan, whose realname was Sung Lam, the son of Kinh Duong Vuong and Than Long Nu, married thedaughter of Heaven’s God De Lai, fairy Au Co.
Au Co then gave birth to a pouch filled with onehundred eggs, which soon hatched into one hundred sons, believed to beVietnam’s ancestors. But soon after, Lac Long Quan and Au Co separated. LacLong Quan went to the coast with 50 children while Au Co went to the highlandswith the other 50.
Their eldest son was made the King, who namedthe country Van Lang and set up the capital in Phong Chau (nowadays Viet Tricity, Phu Tho province), starting the 18 reigns of Hung Kings.
The worshipping rituals of the Hung Kings areclosely related to the ancestral worshipping tradition of most Vietnamesefamilies which forms an important part of people's spiritual lives. It wasrecognised by UNESCO as part of the Intangible Cultural Heritage of Humanity in2012. The commemoration of LacLong Quan, Au Co and the Hung Kings is held annually at the Hung Kings Templein Phu Tho province in the first days of the third lunar month, with the mainactivity organized on the 10th day. Millions of people flockto the Hung Kings Temple in Phu Tho for the Hung Kings Temple Festival everyyear. -VNA
A festival dedicated to Au Co – the legendary mother of Vietnam – opened in Hien Luong commune of Ha Hoa district, the northern province of Phu Tho, on February 3.
The northern midland province of Phu Tho is aiming to hold a hugely successful Hung Kings Temple festival in 2017, heard a conference to review planning for the festival on March 15.
The northern province of Phu Tho on March 21 received a certificate recognising the Mother Au Co worship as part of the national intangible cultural heritage.
The ambassador noted that among the 300,000 Vietnamese residing in the RoK, around 3,000 are living in Pyeongtaek and contributing actively to the local economy. Ho expressed his hope that the local authorities will continue support the overseas Vietnamese community in the city.
This is the first time since the adoption of the Convention that a country has served two consecutive terms on the Committee. The outcome shows the trust and recognition that member states have given Vietnam for its efforts and achievements in carrying out and promoting the Convention, as well as for its active role, strong standing, and growing credibility at UNESCO.
Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
Vietnam’s cinematic appeal lies in its diverse settings, from terraced mountains and limestone karsts to bustling markets and ancient towns. Its mix of ethnic vibes, buzzing street life, and old traditions gives directors a goldmine for storytelling.
The Vietnamese team will gather on June 26 in Ba Ria-Vung Tau, where they will train until July 14 before departing for Indonesia for the ASEAN U23 Championship 2025, which runs from July 15 to 29. Vietnam will face Laos on July 19 and Cambodia on July 22 in the group stage.
The exhibition showcases more than 100 valuable documents and artifacts, divided into two main parts: “Journalist Nguyen Ai Quoc – Ho Chi Minh” and “President Ho Chi Minh – Founder and Mentor of Vietnamese Revolutionary Press.” This is an opportunity to recall the late leader’s journalism journey and affirm his exceptional role in founding and guiding the revolutionary press in Vietnam.
For the first time, the World DanceSport Federation (WDSF) has granted Vietnam hosting rights for the two championships, including the Asian women’s solo category, which debuts this year as an officially recognised event.
Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
For the first time, Vietnamese audiences will have the opportunity to experience the ballet masterpiece "Don Quixote" in its original version by renowned choreographer Marius Petipa.
The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
Creative cultural festivals are fast emerging as a new catalyst for tourism development in Vietnam, as localities increasingly invest in these vibrant events on a more systematic and larger scale.
This marks the first time Vietnam has hosted a continental-level Muay event which will feature competitions across 28 weight categories in combat and eight performance categories.
Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.
These are impressive achievements, not only showing the efforts and prowess of Vietnamese paddlers but also serving as proof of the sports sector’s strategic and systematic investment.