The 2019 Hanoi International Circus Festival, which saw the participation of 13 circus troupes, closed on October 20 at the Hanoi Central Circus after a week of brilliant performances.
A performance by Hungarian artists at the 2019 Hanoi International Circus Festival (Photo: VNA)
Hanoi (VNA) - The 2019 Hanoi International Circus Festival, whichsaw the participation of 13 circus troupes, closed on October 20 at the HanoiCentral Circus after a week of brilliant performances.
The 13 circus groups came from nine countries, namely Australia, Cambodia,China, Cuba, Egypt, Hungary, Laos, Singapore and host Vietnam.
Vietnam was represented by five troupes from the Vietnam Circus Federation, thePhuong Nam Arts Theatre, the Vietnam Circus and Variety Arts School, the VungTau Circus and Magic Troupe and the Ho Chi Minh City Theatre Association.
Speaking at the closing ceremony, Deputy Minister of Culture, Sports andTourism Ta Quang Dong hailed the artists for performing skilful and innovativeacts, bearing the culture identity of each nation and region.
Chairman of the arts council Ta Duy Anh stated that the quality of this year’sfestival had improved with many up and coming, promising young talents.
At the closing ceremony, the organising board awarded gold and bronze medals tothe best acts and prizes to the best director, trainer and group./.
The Vietnam Circus Federation has launched a special performance for the first time combining circus and magic art called "The Great War of Wizards” on the occasion of the Mid-Autumn Festival.
The ambassador noted that among the 300,000 Vietnamese residing in the RoK, around 3,000 are living in Pyeongtaek and contributing actively to the local economy. Ho expressed his hope that the local authorities will continue support the overseas Vietnamese community in the city.
This is the first time since the adoption of the Convention that a country has served two consecutive terms on the Committee. The outcome shows the trust and recognition that member states have given Vietnam for its efforts and achievements in carrying out and promoting the Convention, as well as for its active role, strong standing, and growing credibility at UNESCO.
Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
Vietnam’s cinematic appeal lies in its diverse settings, from terraced mountains and limestone karsts to bustling markets and ancient towns. Its mix of ethnic vibes, buzzing street life, and old traditions gives directors a goldmine for storytelling.
The Vietnamese team will gather on June 26 in Ba Ria-Vung Tau, where they will train until July 14 before departing for Indonesia for the ASEAN U23 Championship 2025, which runs from July 15 to 29. Vietnam will face Laos on July 19 and Cambodia on July 22 in the group stage.
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For the first time, the World DanceSport Federation (WDSF) has granted Vietnam hosting rights for the two championships, including the Asian women’s solo category, which debuts this year as an officially recognised event.
Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
For the first time, Vietnamese audiences will have the opportunity to experience the ballet masterpiece "Don Quixote" in its original version by renowned choreographer Marius Petipa.
The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
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Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.
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