Discovering four national treasures belonging to Cham cultural heritage in Ninh Thuan
Ninh Thuan province currently has four artifacts recognised as national treasures, including Hoa Lai Stele, Relief of King Po Rome, Phuoc Thien Stele and Statue of King Po Klong Garai.
The statue of King Po Klong Garai is currently worshipped at Po Klong Garai tower (Do Vinh ward, Phan Rang-Thap Cham city). (Photo: VNA)
Ninh Thuan (VNA)𝓀 - Ninh Thuan province currently has four artifacts recognised as national treasures, including Hoa Lai Stele, Relief of King Po Rome, Phuoc Thien Stele and Statue of King Po Klong Garai.
Located in the central coastal region, Ninh Thuan is a land that preserves the "golden" marks of the Cham culture, with a system of ancient temples and towers, unique traditional festivals and customs.
Prominent among them are artifacts recognised as national treasures, attracting tourists to enjoy and explore. Ninh Thuan province has four artifacts recognised as national treasures, including Hoa Lai Stele, Relief of King Po Rome, Phuoc Thien Stele and Statue of King Po Klong Garai.
1. Hoa Lai Stele
Hoa Lai Stele was discovered during the archaeological dig of the Hoa Lai tower renovation project. The stele dates back quite early, around the late 8th and early 9th centuries, and is currently kept at the Ninh Thuan Provincial Museum.
Ninh Thuan Provincial Museum’s staff introduces the National Treasure of Hoa Lai stele. (Photo: VNA)
The stele is still quite intact, engraved on three sides with Sanskrit characters. The recorded content is the basis for considering the history of building towers in Hoa Lai, dynastic history, and history of religious beliefs in the Panduranga region during the Hoan Vuong period.
The Hoa Lai Stele is a unique original artifact with special value in terms of cultural history, artistic architecture and typical sculpture of the Cham culture that flourished from the 2nd century to the 17th century in the region that is Central Vietnam today.
The Hoa Lai Stele was recognised as a national treasure by the Prime Minister in Decision No. 2283/QD-TTg on December 31, 2020.
2. Relief of King Po Rome
The relief of King Po Rome dates back to the 17th century. It is a unique original artifact of special value, and is currently kept at the Po Rome tower relic in Phuoc Huu commune, Ninh Phuoc district, Ninh Thuan province.
As a rare ancient work of art, the relief of King Po Rome was carved with a bust, occupying the entire bottom and middle of the stone stele. It was chiseled and carved on the eroded rock surface by the hands of ancient Cham artisans, marking a period of the final prosperity of the Champa Kingdom. This is one of the ancient kingdoms that existed in the territory of Vietnam today, associated with the career of the last king of the Cham people.
The relief represents the religious and belief characteristics, social culture, as well as the sculptural art of the Panduranga land during a period of high development that lasted for many centuries.
This is a unique sculptural work of art imbued with the characteristics and style of the Champa culture in the final stages that influenced contemporary monuments and works of art.
The relief of King Po Rome was recognised as a national treasure by the Prime Minister in his Decision No. 2283/QD-TTg on December 31, 2020.
3. Phuoc Thien Stele
Phuoc Thien Stele was discovered in 1992 in a field in Phuoc Thien village, Phuoc Son commune, Ninh Phuoc district, Ninh Thuan province.
The stele dates back to the late 8th and early 9th centuries and are currently kept at the Ninh Thuan Provincial Museum.
On both sides of the stele were engraved Sanskrit characters. The Phuoc Thien Stele holds historical significance, marking a period of prosperous development of the Champa Kingdom at that time - the reign of King Satyavarman.
The inscriptions suggest the date of construction of the temple tower in this area, carrying the value of dynastic history, history of religion and belief, as well as the history of inscriptional techniques of the Panduranga land during its high development period.
This is a unique sculptural work of art imbued with the unique cultural characteristics of the Cham people and is a rare ancient text. It is a literary work reflecting socio-economic life, talent and merit of the kings at that time, demonstrating the typical humanistic and aesthetic values of the Cham culture.
The Phuoc Thien Stele was recognised as a national treasure by the Prime Minister in Decision No. 73/QD-TTg on January 18, 2024.
4. Statue of King Po Klong Garai
The worshipped statue of King Po Klong Garai dates back to the 16th and 17th centuries. It is currently venerated at Po Klong Garai tower in Do Vinh ward, Phan Rang-Thap Cham city, Ninh Thuan province.
The statue of King Po Klong Garai is a rare ancient sculpture, representing a very special image of the God-King in ancient Champa art.
The statue was crafted into a semi-circular relief floating on a circular stone pillar, carefully and skillfully chiseled and carved on stone material, demonstrating high aesthetics, exquisite workmanship and is also very unique in appearance. The image of Mukhalinga does not have the head of Shiva, but instead has a statue of the king attached to the Linga - an abstract image of a supreme god, Shiva, symbolizing destruction, mystery, power and immortality along with the image of a majestic king full of creativity in running the country and taking care of the happiness of all people.
It is a unique style combination between Indian religious spirit and indigenous religious thinking, expressing unified kingship and theocracy.
The statue of King Po Klong Garai was recognised as a national treasure by the Prime Minister in Decision No. 73/QD-TTg on January 18, 2024./.
Located on Vietnam’s south-central coast, Ninh Thuan province boasts rich history and cultural heritage as a point of convergence for Cham ethnic culture. Among the Cham architecture in the province, the Po Klong Garai Temple Tower complex stands as a testament to ancient times.
The south central provinces of Binh Thuan and Ninh Thuan, home to the art of pottery making of Cham ethnic people, have been taking steps to preserve and bring into play the value of this UNESCO-recognised intangible cultural heritage at the same time with developing community-based tourism.
The pottery craft of the Cham people has existed for a long period of time and been maintained by the Cham community in Bau Truc pottery village in Ninh Phuoc district, Ninh Thuan province, and in Binh Duc pottery village in Bac Binh district, Binh Thuan province.
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Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
For the first time, Vietnamese audiences will have the opportunity to experience the ballet masterpiece "Don Quixote" in its original version by renowned choreographer Marius Petipa.
The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
Creative cultural festivals are fast emerging as a new catalyst for tourism development in Vietnam, as localities increasingly invest in these vibrant events on a more systematic and larger scale.
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Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.
These are impressive achievements, not only showing the efforts and prowess of Vietnamese paddlers but also serving as proof of the sports sector’s strategic and systematic investment.
The cultural event in Canberra not only fostered cultural exchanges between Vietnam and Australia but also contributed to promoting Vietnam’s image internationally
The U23 competition will run from June 16 to 22, followed by the U17 event from June 23 to 28, while athletes competing in the U23 category will undergo weight and skill checks ahead of the matches starting June 18, while similar checks for U17 athletes will take place before June 23.
Vietnam continues to sit just behind continental powerhouses Japan, the Republic of Korea, Australia, China, and the Democratic People's Republic of Korea (DPRK).
The event served as a vibrant display of solidarity, promoting peace, cooperation, and development through cultural dialogue, and reaffirmed HCM City's role as a dynamic hub for cultural diplomacy and international friendship.
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