Copyright fees collected overseas for the use of Vietnamese music increased from nearly 2 billion VND (87,000 USD) in 2019 to more than 3.6 billion VND last year.
Dinh Trung Can, Director of the Vietnam Centre for the Protection of Music Copyright, speaks at a meeting on January 13. (Photo: VNA)
Hanoi (VNA) - Copyright fees collected overseas for the use ofVietnamese music increased from nearly 2 billion VND (87,000 USD) in 2019 tomore than 3.6 billion VND last year.
The rise is the result of efforts to promote bilateral cooperation with foreigncopyright protection organisations, Dinh Trung Can, Director of the VietnamCentre for the Protection of Music Copyright, said on January 13.
The centre has so far signed agreements with 81 collective managementorganisations (CMOs), about 10 percent more than a year ago.
Such bilateral cooperation, he said, has helped protect and promote Vietnamesemusic overseas as well as foreign music in Vietnam.
Despite proceeds from performances falling due to the impact of the COVID-19pandemic, total fees still exceeded 150 billion VND, up 12 percentyear-on-year.
The centre paid about 107.5 billion VND to songwriters, he said, adding that anadditional 36 billion VND will be given to them in January.
The centre has focused on protecting copyrighted works online and applyingmeasures from Industry 4.0 and leading software.
It has successfully negotiated deals with Google, YouTube, Facebook, Apple, TikTok,Spotify, Moov, and Star Maker to closely monitor as much of cyber space aspossible.
It will continue to cooperate with local management agencies to raise awarenessabout copyright protection, step up the use of technology, and provide legal adviceto members, he said./.
In order to take advantage of the Europe-Vietnam Free Trade Agreement (EVFTA), Vietnamese enterprises should pay more attention to intellectual property rights.
Better enforcement of the laws covering music copyright protection is needed to ensure the development of the Vietnamese music industry in the digital era, speakers said at a recent seminar in HCM City.
The Vietnam National Institute for Culture and Arts Studies (VICAS) and the British Council will work together on a project to strengthen intellectual property enforcement in Vietnam.
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Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
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The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
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The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
Creative cultural festivals are fast emerging as a new catalyst for tourism development in Vietnam, as localities increasingly invest in these vibrant events on a more systematic and larger scale.
This marks the first time Vietnam has hosted a continental-level Muay event which will feature competitions across 28 weight categories in combat and eight performance categories.
Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.
Dinh Trung Can, Director of the Vietnam Centre for the Protection of Music Copyright, speaks at a meeting on January 13. (Photo: VNA) 
