Hanoi (VNA) - A collection of arrowhead mouldspreserved at the Co Loa ancient citadel site in Hanoi’s Dong Anh district hasbeen recognised as a national treasure.
The three-piece stone moulds, unearthed during anexcavation at the relic site between 2004 and 2007, date back to the Dong Sonculture (c. 5th-1st century BC) - a Bronze Age culture in ancientVietnam centred in the north’s Red River Delta.
The moulds are evidence of the moulding practice ofbronze arrowheads in Co Loa thousands of years ago.
Co Loa citadel was built during the end of the HongBang Dynasty (c. 257 BC), about 20km to the north of Hanoi’s centre. It wasa place of worship for King An Duong Vuong and Princess My Chau, who arementioned in legends passed down through generations. According to folklore, AnDuong Vuong founded the ancient Vietnamese state of Au Lac and chose Co Loa as itscapital.
Recognition of the collection comes under PrimeMinister Decision No 2283 accrediting 24 items as national treasures. Thecapital has three on the list, while other items belong to cities and provincessuch as Quang Ninh, Quang Ngai, An Giang, Da Nang, Hung Yen, Hai Phong, Ninh Thuan, Binh Dinh, Bac Ninh and Bac Giang.
A bronze bell dating back to the 10th century at Nhat Tao Communal House in Dong Ngac ward, Hanoi’s Bac Tu Liem district, was recently recognised as a national treasure.
A collection of stamps showcasing the objects of Oc Eo Culture that were recognised as national treasures has been issued by the Ministry of Information and Communications in co-ordination with the People's Committee of the southern province of An Giang.
A special exhibition has just wrapped up at the Vietnam National Fine Arts Museum that delved into the creative process of designing the National Emblem.
The Great Bell and "Ngu kien Thien Mu Tu" stele in Thien Mu pagoda in the central province of Thua Thien-Hue were recognized as the Vietnam National Treasure in 2013 and 2020, respectively.
This is the first time since the adoption of the Convention that a country has served two consecutive terms on the Committee. The outcome shows the trust and recognition that member states have given Vietnam for its efforts and achievements in carrying out and promoting the Convention, as well as for its active role, strong standing, and growing credibility at UNESCO.
Quang Duc pottery is known for its wide range of forms, including wine bottles, jars, lime pots, vases, plant pots, incense burners and candle stands. Decorative motifs are equally rich, featuring mythical creatures, pastoral scenes, floral patterns, deer, peacocks, bats and more.
Vietnam’s cinematic appeal lies in its diverse settings, from terraced mountains and limestone karsts to bustling markets and ancient towns. Its mix of ethnic vibes, buzzing street life, and old traditions gives directors a goldmine for storytelling.
The Vietnamese team will gather on June 26 in Ba Ria-Vung Tau, where they will train until July 14 before departing for Indonesia for the ASEAN U23 Championship 2025, which runs from July 15 to 29. Vietnam will face Laos on July 19 and Cambodia on July 22 in the group stage.
The exhibition showcases more than 100 valuable documents and artifacts, divided into two main parts: “Journalist Nguyen Ai Quoc – Ho Chi Minh” and “President Ho Chi Minh – Founder and Mentor of Vietnamese Revolutionary Press.” This is an opportunity to recall the late leader’s journalism journey and affirm his exceptional role in founding and guiding the revolutionary press in Vietnam.
For the first time, the World DanceSport Federation (WDSF) has granted Vietnam hosting rights for the two championships, including the Asian women’s solo category, which debuts this year as an officially recognised event.
Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
For the first time, Vietnamese audiences will have the opportunity to experience the ballet masterpiece "Don Quixote" in its original version by renowned choreographer Marius Petipa.
The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
Creative cultural festivals are fast emerging as a new catalyst for tourism development in Vietnam, as localities increasingly invest in these vibrant events on a more systematic and larger scale.
This marks the first time Vietnam has hosted a continental-level Muay event which will feature competitions across 28 weight categories in combat and eight performance categories.
Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.
These are impressive achievements, not only showing the efforts and prowess of Vietnamese paddlers but also serving as proof of the sports sector’s strategic and systematic investment.
The cultural event in Canberra not only fostered cultural exchanges between Vietnam and Australia but also contributed to promoting Vietnam’s image internationally
