Bac Giang: Bo Da pagoda’s woodblocks recognised as national treasure
Carved woodblocks bearing the Sutras of Zen Buddhism at Bo Da Pagoda in Viet Yen district, the northern province of Bac Giang were named national treasures at a ceremony held in the locality on March 31.
Carved woodblocks bearing the Sutras of Zen Buddhism at Bo Da Pagoda are recognised as national treasures on March 31. (Photo: VNA)
Bac Giang (VNA) – Carved woodblocks bearing the Sutras of Zen Buddhismat Bo Da Pagoda in Viet Yen district, the northern province of Bac Giang werenamed national treasures at a ceremony held in the locality on March 31.
The pagoda, which is a centre of Lam Te Buddhism and had a major role inBuddhism’s development in Vietnam, is home to 1,953 Sutra woodblocks.
In the 18th century, monks at the pagoda carved Buddhist Sutras onthi wood (decandrous perssimmom) that is both light and pliable, making itideal for carving, preserve the texts so that they could be used to teachBuddhism.
According to Venerable Tu Tuc Vinh, head of Bo Da Pagoda, the woodblocks cover24 sets of Buddhist scriptures in Nom (ancient Vietnamese ideographic script)and Sanskrit.
The same day, Bo Da Pagoda festival, a national intangible cultural heritage, beganin the locality and will last until April 3.
The pagoda, also known as Quan Am (Goddess of Mercy), lies at the foot of apine-covered hill, surrounded by earthen walls with mountains and rivers in thedistance.
The pagoda was built in the 11th century under the Ly dynasty, thegolden age of Buddhism in Vietnam, but was badly damaged during wars insubsequent centuries. It was not until the revival of the Le dynasty under KingLe Du Tong that the pagoda was reconstructed.
Bo Da is unique for its architecture, while it appears to be a closed complexfrom the outside, the pagoda’s inside has hundreds of compartments that openinto one another. The pagoda provides visitors with a sacred, secluded refugefrom the world.
Viet Yen district will work with relevant authorities to preserve and promotethe values of Bo Da Pagoda, particularly the Buddhist woodblocks. Vice Chairmanof the district People’s Committee Nguyen Dai Luong said the district isplanning to build a special zone to exhibit and protect the woodblocks anddigitalise them using 3D scanning technologies.-VNA
The Ministry of Culture, Sports and Tourism has recognised Bo Da pagoda festival in the northern province of Bac Giang as part of the national intangible cultural heritage.
The Bac Giang provincial People’s Committee received a certificate recognising Bo Da Pagoda, an ancient Buddhist temple in Tien Son commune of Viet Yen district, as a special national relic site.
The list of national treasures has been expanded with the addition of 24 new national treasures under a recent approval decision of Prime Minister Nguyen Xuan Phuc.
Eight teams will join the tournament, divided into two groups. Group A features Vietnam, the Philippines, Sichuan Club (China), and Australia, while Group B consists of Vietnam U21, Korabelka Club (Russia), Taiwan (China), and U21 Thailand.
Despite strong home support and high expectations, Vietnam were unable to overcome the defending champions, who secured their third consecutive win over Vietnam in a regional final, following previous victories in 2014 and 2023.
The event, part of Vietnam’s cultural diplomacy strategy through 2030, was jointly organised by the Vietnamese Embassy in Venezuela and USM’s Faculty of International Relations. It attracted thousands of students from universities across Venezuela.
For the first time, Vietnamese audiences will have the opportunity to experience the ballet masterpiece "Don Quixote" in its original version by renowned choreographer Marius Petipa.
The contest carried deep meaning as it was the first time the life of Vietnamese women abroad had been highlighted as the central theme, said poet and writer Nguyen Quang Thieu, Chairman of the Vietnam Writers’ Association.
The event formed part of Vietnam’s ongoing campaign to seek UNESCO World Heritage status for the complex at the 47th session of the UNESCO World Heritage Committee, scheduled to take place in Paris in July.
Creative cultural festivals are fast emerging as a new catalyst for tourism development in Vietnam, as localities increasingly invest in these vibrant events on a more systematic and larger scale.
This marks the first time Vietnam has hosted a continental-level Muay event which will feature competitions across 28 weight categories in combat and eight performance categories.
Coming to the Vietnamese booth, visitors had the chance to take part in a bamboo dance, a workshop on painting woven bamboo or rattan, or quizzes about Vietnam.
These are impressive achievements, not only showing the efforts and prowess of Vietnamese paddlers but also serving as proof of the sports sector’s strategic and systematic investment.
The cultural event in Canberra not only fostered cultural exchanges between Vietnam and Australia but also contributed to promoting Vietnam’s image internationally
The U23 competition will run from June 16 to 22, followed by the U17 event from June 23 to 28, while athletes competing in the U23 category will undergo weight and skill checks ahead of the matches starting June 18, while similar checks for U17 athletes will take place before June 23.
Vietnam continues to sit just behind continental powerhouses Japan, the Republic of Korea, Australia, China, and the Democratic People's Republic of Korea (DPRK).
The event served as a vibrant display of solidarity, promoting peace, cooperation, and development through cultural dialogue, and reaffirmed HCM City's role as a dynamic hub for cultural diplomacy and international friendship.
The Indian Film Festival not only honours the artistic value of cinema but also contributes to strengthening the friendship and enhancing cultural exchange between the people of Son La in particular and Vietnam in general and India.
An art exchange programme between Vietnam and Cambodia was held on the evening of June 13 in the Mekong Delta province of Vinh Long as part of the 2025 Cambodia Culture Week in Vietnam.
Digitalisation does not mean commercialisation or oversimplification of culture. It is a way of selecting, adapting, and spreading traditional values through a modern language.